Madison-Morgan Cultural Center
In addition to his GFA win, TY has received First Prizes awards around the world’s top competitions in Europe, Asia, and the U.S., including the Alexander Frauchi International Competition of Russia, the Changsha International Guitar Competition of China, the Schadt String Competition in the US, Austria’s Forum Gitarre Wien International Youth Competition, as well as the GFA Youth International Competition.
As a performing artist, TY has given concert tours and masterclasses throughout the world, including Sydney, Australia; Belgrade, Serbia; Vienna, Austria; St. Petersburg, Moscow, Obninsk, Bryansk, Nizhniy-Novgorod, and Kaluga of Russia; Tokyo, Nagoya, and Kyoto of Japan; Beijing, Tianjin, Hong Kong, Macao, Changsha, Xiamen, Hangzhou, Kunming and Chongqing of China; and over 50 cities of the United States. He was featured on multiple international radios and Television shows, including Russia’s NIKA-TV and GUBERNIYA-TV and New York’s WQXR’s Greene Space & New York Guitar Festival’s Tribute to Julian Bream performance series.
As the appointed US International Director of the China Guitar Teacher Association (CGTA), TY was a member of the McCabe teaching fellowship in The Juilliard School, introducing the classical guitar to young audiences as artists and educators. TY has produced teaching lessons on platforms such as Tonebase Guitar, GFATV, and Guitar Era China. TY Zhang is currently a Doctor of Musical Arts teaching assistant at the University of Southern California, offering individual lessons and group classes, and ensemble coaching.
TY Zhang showed his talent since young. He was called the “Little John Williams” at the age of eight by the two influential German guitar masters—The Amadeus Duo, at a masterclass in Beijing. Born in Hebei, a place south of Beijing in China, TY was introduced to a variety of things under the influence of his father, including swim, Chinese Kongfu, Erhu, violin, keyboard, and the classical guitar at the age of five and he liked to play the guitar the most. When he turned seven, TY was introduced to Professor Chen Zhi, whom he studied with at the Music School attached to the Central Conservatory of Music in Beijing. It was a masterclass that bridged him with Professor Sharon Isbin, with whom he pursued Bachelor and Master of Music degree with at The Juilliard School in New York. TY is currently pursuing his Doctor of Musical Arts degree as a DMA Teaching Assistant under Professor William Kanengiser at the University of Southern California.
TY enjoys photography, videography, road cycling, surfing, and traveling.
“Tengyue Zhang is one of the most extraordinary students I have ever taught. Zhang’s pioneering work as a classical guitarist has earned him a reputation… in the Performing Arts. He is a highly regarded professional in his field today, and his influence has had major significance through his outstanding recordings, performances, teaching and premiering of groundbreaking new works written for him.”
— Sharon Isbin, Founding Director of Guitar Department, The Juilliard School
“…TY’s [Tengyue Zhang’s] range is fully explored again on the next track, “Variations on a theme by Scriabin” by Tansman, where he carefully navigates the melodic lines, and perfectly delivers the various motifs in the lower register. Throughout the Tedesco Caprices he enhances his range through carefully planned and effective use of rest strokes, achieving exceptional volume along with wonderfully full and rich tone. TY finishes with works from two of the greatest classical guitar composers of our time…, which are both performed with equal mastery.”
— Timothy Smith, Minor 7th, September 2018
“2017 Guitar Foundation of America ICAC winner Tengyue Zhang (a.k.a. “TY”) is definitely one of the most talented young players I’ve come across during my nearly four years as editor of Classical Guitar. I don’t usually like to apply the adjective “effortless” to guitar playing, …however, every time I hear TY play, I’m struck by the extraordinary level of comfort and ease that his total mastery of his program communicates. And that is true on this Guitar Recital album, …he manages to imbue every single work with tremendous personality, power, and nuance. He handles the trills and the tricky counterpoint of the Scarlatti sonata (which he arranged) as if it was made to be played on the guitar; his Chaconne (again, his own arrangement) digs deeply into its drama, its shadows, and its contrasts to reveal some new colorations; …this album is certain to be on my Top 10 list at year’s end; what a fantastic way to spend 63 minutes!”
— Blair Jackson, Classical Guitar Magazine, June 2017